Rodrigo Valenzuela
Rodrigo Valenzuela (b.1982, Santiago, Chile) lives and works in Los Angeles, California. Valenzuela completed an art history degree at the University of Chile (2004), then worked in construction while making art over his first decade in the United States. He holds a BA in Philosophy from Evergreen State College and an MFA at University of Washington (2012). He is a Professor of Art at University of California Los Angeles.
Using staged scenes and digital interventions, Valenzuela's photography, video and installation work is rooted in the contradictory traditions of documentary and fiction, at the same time, these pursuits are equally centered on a semiotic, politically engaged post-capitalist critique of social constructs and civic institutions.
Rodrigo Valenzuela’s photographic assemblages are often evocative of the kind of transitional spaces in modern living associated with building construction, urban decline and civil disobedience. These built environments, already a simulacrum of reality, are further complicated by his technique of using his own photographic work as backdrops against which additional installations are seamlessly built and rephotographed. In this way a complex sense of spatial displacement is created. Taken as a whole his work makes poetic use of the liminal spaces that modern living so often places us within, locations that are always on the threshold of being built or sliding into decline. Valenzuela speaks of travelling across the US by car and paying witness to the parts of the landcape that we look away from, the discarded parts of the American Dream that line the roadside mile after mile.
Valenzuela’s many residencies include Light Work in Syracuse, NY; a Core Fellowship at the Museum of Fine Arts, Houston, TX; Skowhegan, ME; Bemis Center, NE and the Center for Photography at Woodstock, NY.
Valenzuela is recipient of several awards, including an Artist Trust Arts Innovator Award 2014, Texas Contemporary Award 2014, Stranger Genius Award 2013, University of California Artist Research Grant 2015.
-
Deviants
19 Oct - 17 Nov 2023The Duo exhibition Deviants at Galerie Kandlhofer presents photographs by Chilean artist Rodrigo Valenzuela, and sculptures by Iranian artist Reza Aramesh. The new series of works 'Garabatos' by Rodrigo Valenzuela (b. 1982, Chile) shows black and white photographs inspired by Rodrigo Valenzuela's research on Latin American subcultures and the music...Read more -
Rodrigo Valenzuela I Afterwork
28 Apr - 28 May 2022At the height of early industrial steel production, workers were treated as engines of sorts, their bodies wrung out of their light, which was transformed into glowing steel bars, sweat, and capital. As one steelworker told the writer Hamlin Gardland in Homestead, Pennsylvania, in 1894, “You start in to be...Read more -
Rodrigo Valenzuela | Stature
3 - 31 Oct 2020Galerie Kandlhofer is pleased to present the solo exhibition Stature by Chilean artist Rodrigo Valenzuela. Using staged scenes and digital interventions, Valenzuela's photography, video and installation work is rooted in the contradictory traditions of documentary and fiction, often involving narratives around immigration and the working class. Rodrigo Valenzuela was born...Read more -
Rodrigo Valenzuela | American Type
23 Nov 2018 - 19 Jan 2019Rodrigo Valenzuela (b. 1982, Santiago, Chile) who lives and works in Los Angeles, is an assistant professor in the Department of Art at the UCLA. Recent solo exhibitions include Work in Its Place, Jordan Schnitzer Museum of Art, Eugene, 2018; American-Type, Orange County Museum, 2018; Labor Standards, Portland Art Museum,...Read more -
Group Exhibition I Followed you to the sun
4 May - 2 Jun 2018Curated by Ala Glasner Fiete Stolte | Daniel Steegmann Mangran é | Jeremy Shaw | Christian Falsnaes | Tom ás Saraceno | Maximilian Prüfer | Goshka Macuga | Rodrigo Valenzuela | Moritz Lacler | Diana Sirianni | Naama Ityel I followed you to the sun brings together eleven international artists...Read more -
Rodrigo Valenzuela | Landmark
24 Oct - 2 Dec 2016In the works of Rodrigo Valenzuela (b.1982, Chile, currently lives and works in Los Angeles) the wastelands of the American landscape meet the economic ruins; and the reality of the American working class meets the failure of the American dream. Valenzuela´s photographs are reminiscent of filmsets, ruins and debris. They...Read more
-
Rodrigo ValenzuelaInstallation View III , Afterwork , 2022
-
Rodrigo ValenzuelaInstallation View VI, Afterwork, 2022
-
Rodrigo ValenzuelaInstallation View VII, Afterwork, 2022
-
Rodrigo ValenzuelaInstallation View, III Afterwork, 2022
-
Rodrigo ValenzuelaWeapons #29, 2022Silkscreen, acrylic on collage cardboard and canvas
243.8 x 152.4 cm
96 x 60 in -
Rodrigo ValenzuelaWeapons #30, 2022Silkscreen, acrylic on collage cardboard and canvas
243.8 x 152.4 cm
96 x 60 in -
Rodrigo ValenzuelaAfterwork #10, 2021Silver gelatin print61 x 76 cm
24 1/8 x 29 7/8 inEdition 1 of 3 + 1 AP -
Rodrigo ValenzuelaAfterwork #11, 2021Silver gelatin print61 x 76 cm
24 1/8 x 29 7/8 inEdition 2 of 3 + 1 AP -
Rodrigo ValenzuelaAfterwork #7, 2021Silver gelatin print61 x 76.2 cm
24 x 30 inEdition 1 of 3 + 1 AP -
Rodrigo ValenzuelaAfterwork #8, 2021Silver gelatin print61 x 76.2 cm
24 x 30 inEdition 1 of 3 + 1 AP -
Rodrigo ValenzuelaAfterwork #9, 2021Silver gelatin printEdition 1 of 3 + 1 AP
-
Rodrigo ValenzuelaCase #1, 2021Archival pigment print mounted on Dibond101.6 x 127 cm
40 x 50 inEdition 1 of 3 + 1 AP -
Rodrigo ValenzuelaCase #2, 2021Archival pigment print mounted on Dibond101.6 x 127 cm
40 x 50 inEdition 1 of 3 + 1 AP -
Rodrigo ValenzuelaCase #3, 2021Archival pigment print mounted on Dibond101.6 x 127 cm
40 x 50 inEdition 1 of 3 + 1 AP -
Rodrigo ValenzuelaWeapons #16, 2021Screenprint and acrylic on collaged time cards on canvas121.9 x 152.4 cm
48 x 60 in -
Rodrigo ValenzuelaWeapons #20, 2021Screenprint and acrylic on collaged time cards on canvas
91.4 x 121.9 cm
36 x 48 in -
Rodrigo ValenzuelaWeapons #21, 2021Screenprint and acrylic on collaged time cards on canvas
121.9 x 91.4 cm
48 x 36 in
-
Rodrigo ValenzuelaWeapons #26, 2021Screenprint and acrylic on collaged time cards on canvas152.4 x 121.9 cm
60 x 48 in -
Rodrigo ValenzuelaWeapons #28, 2021Screenprint and acrylic on collaged time cards on canvas121.9 x 91.4 cm
48 x 36 in -
Rodrigo ValenzuelaStature No. 6, 2020Photogravure78.74 x 89.54 cm
31 x 35 1/4 inEdition 1 of 8 plus 2AP -
Rodrigo ValenzuelaAmerican-type #1, 2018Archival pigment print111.8 x 137.2 cm
44 x 54 inEdition of 3 plus 1 AP -
Rodrigo ValenzuelaAmerican-type #2, 2018Archival pigment print111.8 x 137.2 cm
44 x 54 inEdition of 3 plus 1 AP -
Rodrigo ValenzuelaAmerican-type #5, 2018Archival pigment print111.8 x 137.2 cm
44 x 54 inEdition of 3 plus 1 AP -
Rodrigo ValenzuelaMask #2, 2018archival pigment print mounted on Sintra100.5 x 75 cm
39 5/8 x 29 1/2 in -
Rodrigo ValenzuelaSense of Place No. 44, 2018Image transfer and acrylic on canvas90,1 x 89,9 cm
35,43 x 35,04 in -
Rodrigo ValenzuelaBarricade No. 2, 2017archival pigment print mounted on Dibond139.7 x 114.3 cm
55 x 45 inedition of 3 + 1 AP -
Rodrigo ValenzuelaHedonic Reversal No. 4, 2014archival pigment print137.2 x 111.8 cm
54 x 44 inAP (edition of 3 plus 1AP) -
Rodrigo ValenzuelaHedonic Reversal No. 13, 2014archival pigment print137.2 x 111.8 cm
54 x 44 in3/3 (3 plus 1 AP)
Maria TV from Rodrigo valenzuela on Vimeo.
-
Rodrigo Valenzuela"Landmark" Installation View #4, 2016
-
Rodrigo Valenzuela"Landmark" Installation View #1, 2016
-
Rodrigo ValenzuelaInstallation view "Future Ruins" Commissioned by the Frye Art Museum, Seattle, WA., 2015
-
Rodrigo ValenzuelaInstallation view VIII: Stature, 2020
-
Rodrigo ValenzuelaInstallation view XI: Stature, 2020
-
Rodrigo ValenzuelaInstallation View 'American Type', 2018
-
Rodrigo ValenzuelaInstallation view III: Stature, 2020
2021
Bomb Magazine, The Value of Labor: Rodrigo Valenzuela, Forrest Muelrath
Artishock, Rodrigo Valenzuela: New Works For A Postworker's World, Paula Kupfer
2020
ArtNow LA, Rodrigo Valenzuela: ‘Journeyman’, Jody Zellen
Contemporary Art Review Los Angeles, Rodrigo Valenzuela at Klowden Man, Matt Stromberg
Artishock, Rodrigo Valenzuela: Journeyman, (Spanish)
Musée: Vanguard of Phototgraphy Culture, Ink Goes Deep: Interview with Rodrigo Valenzuela, Mica Bahn
2019
LA Weekly, Feature: Best of L. A. Arts, Shananys Dambrot
Artillery, Rodrigo Valenzuela at Klowden Mann, Shana Nys Dambrot
2018
Artillery, Review: Rodrigo Valenzuela at Klowden Mann, Cooper Johnson
Glasstire, Review: Rodrigo Valenzuela at Art League Houston, Betsy Huete
Collector Daily, Review: Intervention @ Laurence Miller, Loring Knoblauch
Artforum, Review: General Song at Klowden Mann, Andy Campbell
Hyperallergic, The Mesmerizing Depth and Desolation of Desert Landscapes, Anna Furman
Falter, Amerikanische Typen und Nail Art in Pink
2017
ArtReview, Review: General Song at Upfor, Wendy Vogel
2016
Widewalls, Rodrigo Valenzuela Opening at Galerie Lisa Kandlhofer, Amy Lin
Phases Magazine, Hedonic Reversal: Rodrigo Valenzuela.
Los Angeles Times, Review: Shrines of disillusionment, Sharon Mizota
The Stranger, Artist Goes Looking for Heroes, Doesn't Find Any, Jen Graves
Artforum, Rodrigo Valenzuela at envoy enterprises, Emily Hall
The Boston Globe, Crumbled Vistas, Important Questions, Cait McQuaid
Artsy, Valenzuela Sheds Light on the Immigrant Experience
2015
Artforum, Critic's Pick, Stephanie Snyder
The Seattle Times, Review: Past and future, time and decay, Michael Upchurch
Vanguard Seattle, "Future Ruins" at the Frye, Claire Reiner
The Stranger, Review: Art and Labor Converge in Future Ruins, Charles Mudede
City Arts, The 13th Man: Future Ruins at the Frye Museum, Amanda Manitach
2014
The Portland Mercury, Review: Beauty and Brains, Jenna Lechner
City Arts, Review: When Labor Shines, Amanda Manitach
The Monarch Review, Interview with the artist.
Vanguard Seattle, In the Studio: The Goalkeeper, Claire Reiner
CPW, Video: Artist-In-Residence 2014
2013
The Stranger, 2013 Genius Award for Art, Jen Graves
2012