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Aneta Kajzer
Eyes on Me -
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Kajzer’s practice involves significant layering of the paint at first in a free and instinctual manner, from which the figuration of the characters grows organically. For some works the compositions become clear more quickly than others however the process of being open to the gestural flow of the paint is a fundamental aspect of Kajzer’s work.
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Installation View, Eyes on Me, 2021
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Installation View, Eyes on Me, 2021
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Kajzer’s solo exhibition include: ‘Once More with Feeling’, KANT Gallery, Copenhagen, 2020; ‘We come from the saltiest sea’, Galerie CONRADS, Düsseldorf, 2019; ‘Hungry Eyes’, WERK, Berlin, 2018; ‘Guilty Pleasure’, Warte für Kunst, Kassel, 2018; ‘Out of Touch’, curated by Carina Bukuts, Künstlerhaus Bethanien, Berlin, 2018; ‘all my beautiful faces’, Laboratory for Art and Culture Foundation Opelvillen, Rüsselsheim / Main, 2017; ‘Slightly Abstract’, oMo artspace, Berlin, 2017; ‘Made in Balmoral’, Künstlerhaus Schloss Balmoral, Bad Ems, 2016.
Kajzer has also exhibited in recent group shows including: ‘Luxury and Glamor - On the obstinacy of the superfluous’, Arp Museum Rolandseck, 2021; ‘Emy Roeder Prize 2020’, Kunstverein Ludwigshafen / Rhein, 2020; ‘KUNST AM BAU’, Rummelsburger Landstrasse 15, Berlin, 2020; ‘The Island Show - Summer 2020’, Galleri KANT, Fanø (DK), 2020; ‘Marianne Werefkin Prize 2020 – Shortlist’, Haus am Kleistpark, Berlin, 2020; ‘SOFT WALLS, DRY FRUITS’, n / a gallery, Seoul (KR), 2020; ‘Minibar’, curated by Anna Nero, Galerie Oel-Früh, Hamburg, 2020; ‘NOW! Painting in Germany Today’, Deichtorhallen Hamburg, Kunstmuseum Bonn, Kunstsammlung Chemnitz, Museum Wiesbaden, 2019-2020; ‘Berlin Masters 2019’, Kühlhaus Berlin, 2019; ‘Two ages: Young’, Crone Side, Berlin, 2019; ‘Facing the Flat World’, MMCA Residency Goyang (KR), 2019; ‘VILLAGE III’, Im Gerinne 2, Wullenstetten, 2019; ‘They Catch Feelings, I Catch Bodies’, Sim Smith gallery, London (UK), 2019; ‘24H BRL / LUB’, curated by Paulina Olszewska, Piękno Panie, Lublin (PL), 2019; ‘Texts are the most important minor matter in an exhibition’, Schau Fenster, Berlin, 2019.
In 2021 Kajzer received the Marianne Werefkin Painting Scholarship in Nuremberg which will culminate in a solo exhibition at the Institute for Modern Art Nuremberg. In 2019 Kajzer received the Stiftung Kunstfonds work grant and participated in a three-month residency at the MMCA Goyang in South Korea. In 2018 she participated in the Goldrausch Künstlerinnenprojekt, a professional development program for female visual artists. In 2017 she received the Winsor & Newton Scholarship for Painting, granting her a six month residency and solo exhibition at Künstlerhaus Bethanien in Berlin.
Aneta Kajzer: Eyes on Me
Past viewing_room