ALICIA VIEBROCK : BELLABOTEURS

28 November 2024 - 10 Januar 2025
  • ALICIA VIEBROCK

    BELLABOTEURS
  • With Bellaboteurs Alicia Viebrock (b. 1986, Munich) has her third solo exhibition at the gallery. The title is an amalgamation...

    Alicia Viebrock
    Tschickarella, 2024
    acrylic and ink on linen
    240 x 190 cm
    94 1/2 x 74 3/4 in

    With Bellaboteurs Alicia Viebrock (b. 1986, Munich) has her third solo exhibition at the gallery. The title is an amalgamation of the words ‘bella’ and ‘saboteur’, fusing the concepts of beauty and deliberate destruction. These seemingly diametrically opposed notions are re-appraised by Viebrock, who considers the possibility for closeness between these ideas - instances where a pursuit of an ideal may lead to the destruction of the very objective itself. Viebrock’s works are a stage where these notions play out,  oscillating across extremes such as dense colourfield and empty spaces, total spontaneity and deliberate placement, as well as shifting between monochromatic and vibrant colour palettes.
     

     

  • ABOUT THE ARTIST

    Alicia Viebrock (b. 1986, Munich, Germany) studied at the Kunstakademie Düsseldorf under Professor Herbert Brandl and lives and works in Vienna and Cologne. 

     

    In Viebrock’s work exuberant colour formations meet reduced compositional constructs with calligraphic elements. Colour power and dominance meet purposefully placed painterly gestures. Fleeting structures interlock through the viscosity of the paint, condition each other as flowing colour fields or assert themselves in self-confident demarcation. The sensuality of the paintings is reflected in their immediacy. The display of poured, dripped and splattered paint are indications of the expressive range of the artist, adopting a highly physical and psychological relationship with the surface. While strong colour fields on the canvas evoke a deliberate imbalance, the gestural settings on linen find a more determined hold, which is broken by gentle painterly expressions. The latter provokes a delicate flickering in the pictorial space.

     

    Her recent solo exhibitions include ‘Manienna’, Galerie Bärbel Grässlin, Frankfurt (2024), ‚’Metamorphosis’, Gallery Tierra Garzón, Uruguay (2023), ’Tranquility Kink’, Galerie Kandlhofer, Vienna, ’Vulvarability’, FILIALE, Frankfurt (2022), 'Don’t fence me in', Piero Atchugarry Gallery, Miami (2022), 'Amygdala Mundi', FILIALE, Frankfurt (2021), 'Wishful Drinking', Galerie Kandlhofer Vienna (2021), 'Casino Peach', Galerie Heinz Holtmann, Cologne (2020), 'Amnesia Royal', FILIALE, Frankfurt am Main (2020), 'calories', FILIALE, Frankfurt am Main (2018), 'Nightfly', Galerie Heinz Holtmann, Cologne (2018), 'Rule of derivation', Kunstverein Recklinghausen (2017), 'Of Loners and Charmeurs', FILIALE, Frankfurt am Main (2017).

  • Materiality is a key concern for Viebrock. Using primarily ink and acrylic paint, she plays with the paint, thickening it...

    Alicia Viebrock

    Head a ferrari, body a fiat (z), 202

    acrylic and ink on canvas
    200 x 160 cm
    78 3/4 x 63 in

    Materiality is a key concern for Viebrock. Using primarily ink and acrylic paint, she plays with the paint, thickening it with dispersion or thinning with water, in order to control, or abandon, the medium’s properties by changing its weight. She splashes, pools, overlaps, blends, smudges and sweeps across the canvas, carving out rivulets and manipulating streams of colour which flow into and over one another. Often working initially with the painting flat on the floor, Viebrock tilts the canvas, changing its orientation so that the pooled paint drips and blends, mingling intentionality and chance on the painted surface. 

     

    Much like the exhibition title, Viebrock names her paintings using a combination of double entendre and free association, following words or phrases that are stuck in her head. In an act akin to the freeing swoop of colour across canvas, these ear worms are exorcised from her mind, liberated as they are rooted to a painting. Free from a heavy-handed determiner of meaning or anecdotal interpretation, the titles such as Head a ferrari, body a fiat (z) and Tschickarella grant levity to the emotional charge of her paintings, another form of subversion and manipulation.

     
  • Viebrock’s works are deeply based in the language of Abstract Expressionism, catalysed by artists such as Joan Mitchell and Helen Frankenthaler. Blending elements of open, artistic impulse with gestural forms, applied in a bodily manner, Bellaboteurs presents paintings which have an embedded lyrical movement, a fluidity which showcase flickering and extinguishing, dancing movements and colour

    • Alicia Viebrock Luteal hell in cute, 2024 acrylic and ink on linen 240 x 190 cm 94 1/2 x 74 3/4 in
      Alicia Viebrock
      Luteal hell in cute, 2024
      acrylic and ink on linen
      240 x 190 cm
      94 1/2 x 74 3/4 in
    • Alicia Viebrock Big Babol, 2024 acrylic and ink on linen 90 x 70 cm 35 3/8 x 27 1/2 in
      Alicia Viebrock
      Big Babol, 2024
      acrylic and ink on linen
      90 x 70 cm
      35 3/8 x 27 1/2 in
    • Alicia Viebrock No Title in blue , 2024 acrylic and ink on canvas 90 x 70 cm 35 3/8 x 27 1/2 in
      Alicia Viebrock
      No Title in blue , 2024
      acrylic and ink on canvas
      90 x 70 cm
      35 3/8 x 27 1/2 in
    • Alicia Viebrock No Title in yellowish , 2024 acrylic and ink on canvas 90 x 70 cm 35 3/8 x 27 1/2 in
      Alicia Viebrock
      No Title in yellowish , 2024
      acrylic and ink on canvas
      90 x 70 cm
      35 3/8 x 27 1/2 in
  • Alicia Viebrock Anhedonia /-princess, 2024 acrylic and ink on linen 190 x 280 cm 74 3/4 x 110 1/4 in
    Alicia Viebrock
    Anhedonia /-princess, 2024
    acrylic and ink on linen
    190 x 280 cm
    74 3/4 x 110 1/4 in