Galerie Kandlhofer at Viennacontemporary

6 August - 15 September 2024
  • Viennacontemporary 2024

  •  
    Galerie Kandlhofer is thrilled to join the line-up for the 2024 edition of viennacontemporary, showing a international, female group presentations of new works by Nadia Ayari (TUN), Frauke Dannert (DE), Acaye Kerunen (UG), Hannah Perry (UK) and Alicia Viebrock (DE). 
     
     
     
  • Nadia Ayari
    Nadia Ayari, Twirl II, 2024, Oil on Linen, 88.9 x 109.2 cm, 35 x 43 in
     
     

    Nadia Ayari

    Nadia Ayari (b. 1981, raised in Tunis) lives and works in New York. Ayari moved to the U.S. in 2000 and received a B.A. in art history from Boston University, an M.F.A. in painting from the Rhode Island School of Design, and a certificate of fine arts from Brandeis University.
     
    Her distinctive paintings are characterised by a striking balance between abstraction and narration. Generally Ayari produces series of works which focus on a select number of repeated objects like the flower, branch and leaf which are inspired by her native landscape. These forms become characters in her paintings, taking on the contours of human disembodiment, or another shape isolated from nature. Her compositions tackle narratives of survival while the thick, methodically applied oil-paint give the protagonists and the plastic space they inhabit substantial skin, making them physically relatable. 
     
     
  • Frauke Dannert

    Frauke Dannert, Balkon II, 2018, Paper Collage, 65 x 50 cm, 25 5/8 x 19 3/4 in, Photo credits Ben Hermanni, Lemg

     

    Frauke Dannert

    Frauke Dannert (b.1979 in Herdecke, Germany) lives and works at Cologne. Dannert studied at the Kunstakademie Düsseldorf and at Goldsmiths College in London. 
     
    The genesis of Dannert’s practice lies in her interest in the architectural space and the medium of collage. These collages manifest themselves on paper, wall paintings, carpet inlays, curtains, projections, films and photographs. Through this she dissects architecture, examining it as to its sculptural potential, pointedly heightening particular features or else subverting preconceived structural assumptions. By altering the scale and shapes of the building materials depicted, Dannert produces creations that oscillate between the organic and the architectonic, illusion and reality.
    • Frauke Dannert Serie Parkhaus, 2019 Multiple exposure, hand print on baryta paper 9 x 9 cm 3 1/2 x 3 1/2 in Edition 1 of 3
      Frauke Dannert
      Serie Parkhaus, 2019
      Multiple exposure, hand print on baryta paper
      9 x 9 cm
      3 1/2 x 3 1/2 in
      Edition 1 of 3
    • Frauke Dannert Pipes, 2015 Paper Collage 47 x 33 cm 18 1/2 x 13 in
      Frauke Dannert
      Pipes, 2015
      Paper Collage
      47 x 33 cm
      18 1/2 x 13 in
    • Frauke Dannert Tempel, 2021 Papiercollage 65 x 50 cm 25 5/8 x 19 3/4 in
      Frauke Dannert
      Tempel, 2021
      Papiercollage
      65 x 50 cm
      25 5/8 x 19 3/4 in
    • Frauke Dannert Zapfen II, 2015 Paper Collage 47 x 33 cm 18 1/2 x 13 in
      Frauke Dannert
      Zapfen II, 2015
      Paper Collage
      47 x 33 cm
      18 1/2 x 13 in
  • Acaye Kerunen
    Acaye Kerunen, Untitled, 2024, Mixed Media (Raffia, Palm Leaves, Banana Fibre, Stripped Banana Leaves), 94 x 67 x 40 cm, 37 x 26 3/8 x 15 3/4 in, (017)
     
     

    Acaye Kerunen

    Acaye Kerunen (b. Kampala, Uganda) is a multidisciplinary performance and installation artist, storyteller, writer, actress and activist based in Kampala, Uganda.
     
    Her multimedia installations incorporate materials— including banana fibre, raffia, reeds, and palm leaves—grown, harvested, dyed, and woven in Uganda, and these works often meditate on the intricacies of natural systems and the impact of climate change. Enactments of labour and emancipation are also central to her work, which has been exhibited at the 59th Venice Biennale in 2022; Afriart Gallery in Kampala in 2021; and the Nyege Nyege Ugandan culture and music festival in 2018. The artist holds a BSc in Mass Communication from the Islamic University in Mbale. Kerunen lives and works in Kampala.
     
    • Acaye Kerunen Untitled, 2024 Mixed Media (Raffia, Palm Leaves, Banana Stems, Loafers) 32 x 27 x 25 cm 12 5/8 x 10 5/8 x 9 7/8 in
      Acaye Kerunen
      Untitled, 2024
      Mixed Media (Raffia, Palm Leaves, Banana Stems, Loafers)
      32 x 27 x 25 cm
      12 5/8 x 10 5/8 x 9 7/8 in
    • Acaye Kerunen Untitled, 2024 Mixed Media (Raffia, Palm Leaves, Banana Fibre, Banana Stems, Loafers) 33 x 28 x 24 cm 13 x 11 x 9 1/2 in
      Acaye Kerunen
      Untitled, 2024
      Mixed Media (Raffia, Palm Leaves, Banana Fibre, Banana Stems, Loafers)
      33 x 28 x 24 cm
      13 x 11 x 9 1/2 in
  • Hannah Perry
    Hannah Perry, Crude Oil I, 2023, Aluminium, autobody paint , 95 x 80 x 5 cm, 37 3/8 x 31 1/2 x 2 in, 4 unique editions, Photo credits to Manuel Carreon Lopez

     

    Hannah Perry

    Hannah Perry (b.1984, Chester, England) lives and works in London. Perry received her BA in Fine Arts from Goldsmiths College, University of London and her MA from The Royal Academy of Art, London.
     
    Hannah is a British artist working mainly in installation, sculpture, print and video. Continuously generating and manipulating materials (footage, sound clips, images and objects) Perry develops a sprawling network of references, carefully exploring personal memory in today’s hyper- technological society whilst bending back the systems of representation via hyperactive distribution. Perry is guided by music or speech, repetition, focalisation and deceleration, revealing the strength of our personal investment in images of the illusory (youth, power, sex, taste, lifestyle) as well as the prescriptive nature of these desires.
    • Hannah Perry On the Bonnet (two), 2023 Aluminium, autobody wrap, acrylic paint 95 x 80 x 15 cm 37 3/8 x 31 1/2 x 5 7/8 in
      Hannah Perry
      On the Bonnet (two), 2023
      Aluminium, autobody wrap, acrylic paint
      95 x 80 x 15 cm
      37 3/8 x 31 1/2 x 5 7/8 in
    • Hannah Perry Trash Gint, 2023 Aluminium 95 x 80 x 5 cm 37 3/8 x 31 1/2 x 2 in
      Hannah Perry
      Trash Gint, 2023
      Aluminium
      95 x 80 x 5 cm
      37 3/8 x 31 1/2 x 2 in
    • Hannah Perry Crashing Crashing, 2019 UV Digital print, screen print, car heat wrap, paint on dibond with steel frames 121 x 147 cm 47 5/8 x 57 7/8 in
      Hannah Perry
      Crashing Crashing, 2019
      UV Digital print, screen print, car heat wrap, paint on dibond with steel frames
      121 x 147 cm
      47 5/8 x 57 7/8 in
    • Hannah Perry swish, 2019 Digital print, screen print, car heat wrap, paint, car lacquer on aluminium 121 x 147 cm 47 5/8 x 57 7/8 in
      Hannah Perry
      swish, 2019
      Digital print, screen print, car heat wrap, paint, car lacquer on aluminium
      121 x 147 cm
      47 5/8 x 57 7/8 in
    • Hannah Perry Hands on Screen print on mirror 48 x 100 cm 18 7/8 x 39 3/8 in
      Hannah Perry
      Hands on
      Screen print on mirror
      48 x 100 cm
      18 7/8 x 39 3/8 in
    • Hannah Perry All Over Your Face, 2023 Stainless steel 95 x 80 x 5 cm 37 3/8 x 31 1/2 x 2 in
      Hannah Perry
      All Over Your Face, 2023
      Stainless steel
      95 x 80 x 5 cm
      37 3/8 x 31 1/2 x 2 in
  • Alicia Viebrock
    Alicia Viebrock, I don't need sleep, I need answers, 2023, Acrylic and Ink on Linen, 180 x 150 cm, 70 7/8 x 59 in, Photo: Manuel Carreon Lopez
     
     
     
     

    Alicia Viebrock

    Alicia Viebrock (* 1986 in Munich) lives and works in Cologne. In 2017, the artist completed her studies at the Kunstakademie Düsseldorf as a master student under Herbert Brandl. 
     
    Viebrock's works are characterized by a sweeping, energetic brushstroke that suggests movement and rhythm and represents an act of dynamised painting. The paintings are created by building a composition, which is brought onto the canvas by means of a white preliminary drawing and is supplemented and continued by an intuitive gesture, which often means an enormous physical effort. The virtuoso application of paint is dominated by a light-flooded coloristic and oscillates between flowing and set, between permeable and impasto. With the strongly expressive, gestural expression of her works, Viebrock joins the tradition of American abstract expressionism, which was decisively influenced by artists such as Joan Mitchell and Helen Frankenthaler. As with Mitchell and Frankenthaler, the spontaneous artistic gesture plays an important role in Viebrock's work as an expression of individual freedom. In an autonomous act of painting, Viebrock has created a series of vibrant and tension-filled works that allow the viewer to immerse himself in the pulsating world of colour created by the artist.
    • Alicia Viebrock Shoot, 2024 Acrylic, Ink and Spraypaint on Canvas 230 x 180 cm 90 1/2 x 70 7/8 in
      Alicia Viebrock
      Shoot, 2024
      Acrylic, Ink and Spraypaint on Canvas
      230 x 180 cm
      90 1/2 x 70 7/8 in
    • Alicia Viebrock o.T., 2023/2024 Acrylic & Ink on Canvas 160 x 130 cm 63 x 51 1/8 in
      Alicia Viebrock
      o.T., 2023/2024
      Acrylic & Ink on Canvas
      160 x 130 cm
      63 x 51 1/8 in
    • Alicia Viebrock o.T., 2024 Acrylic & Ink on Canvas 50 x 45 cm 19 3/4 x 17 3/4 in
      Alicia Viebrock
      o.T., 2024
      Acrylic & Ink on Canvas
      50 x 45 cm
      19 3/4 x 17 3/4 in
    • Alicia Viebrock Roof, 2024 Acrylic and oil on canvas 90 x 70 cm 35 3/8 x 27 1/2 in
      Alicia Viebrock
      Roof, 2024
      Acrylic and oil on canvas
      90 x 70 cm
      35 3/8 x 27 1/2 in
    • Alicia Viebrock Lira, 2024 Acrylic and Ink on Canvas 150 x 120 cm 59 x 47 1/4 in
      Alicia Viebrock
      Lira, 2024
      Acrylic and Ink on Canvas
      150 x 120 cm
      59 x 47 1/4 in
    • Alicia Viebrock Lire, 2024 Acrylic and Ink on Canvas 150 x 120 cm 59 x 47 1/4 in
      Alicia Viebrock
      Lire, 2024
      Acrylic and Ink on Canvas
      150 x 120 cm
      59 x 47 1/4 in